November 2009


“We designers have been working to stimulate people’s souls and minds.” —Naoto Fukasawa, designer
“Look around you. Within five feet of you are dozens—if not hundreds—of manufactured products that you interact with every day. If you are at work, perhaps there is a laptop, a stapler, a No. 2 pencil, a paperclip, a mobile phone, a coffee mug, a pushpin or an ergonomic chair. At home there may be a flat-screen TV, a pair of boots, a razor or a kitchen utensil. All told, we each touch or otherwise interact with an average of 600 manufactured objects every day.

We rarely consider where the objects that populate our lives were made or who dreamed them up in the first place. Yet our relationship with the manmade objects around us is complex, sometimes conflicted and often profound.

OBJECTIFIED, by filmmaker Gary Hustwit, is the second installment in his trilogy on design (his first was Helvetica). OBJECTIFIED encourages us to stop and notice our surroundings and to think critically about creativity and consumption. Who makes all these objects, and why do they look and feel the way they do? How can good design make these things—and by extension our lives—better? What about the environment and the social and environmental costs associated with global manufacturing and planned obsolescence?

Featuring interviews with some of the world’s preeminent industrial and product designers, OBJECTIFIED is an exploration of the process at work behind everything from toothbrushes to tech gadgets. It’s about the designers who reexamine, reevaluate and reinvent our manufactured environment daily. It is about personal expression, identity, consumerism and sustainability. What can we learn about who we are and who we want to be from the objects with which we surround ourselves?”
–Independent Lens


Art Letter excerpt (11/20/09)


“It’s always rewarding to see a rock solid painting exhibit by one of Chicago’s finest artists. Jim Lutes’ exhibition of new work at Valerie Carberry is refreshing after having seen a survey exhibition of his work at the Renaissance Society, which was solid, but by definition, backward looking. This show looks like a bit of a breakthrough with fewer paintings executed in egg tempera – a painstakingly slow medium – in favor of more oil paintings. Not only that, there are strong moves into new a new, more figurative direction, overlaying abstract strokes on quirky representation compositions. This is really good work that makes me want to pay attention to see where it’s taking us.”

Paul Klein’s art letter continues to please as it moves into it’s own website. Check out the full letter with images and thoughts on Corey Postiglione, Thomas Masters, Julie Walsh and her eponymous gallery, Ed Marszewski, Co-Prosperity Sphere, I Space, David Bushman, Architecture of Crisis, James Welling, Donald Young, Ansel Adams, and the Concertina Gallery.

Thanks Paul!

Anthony P. Munoz